KIA library book discussions
The Meader Fine Arts library's free book discussions are at 2 pm on the the third Wednesday of each month from September through May. For more information, call 349-7775, ext. 3166, or email firstname.lastname@example.org.
December 19 On Color by David Scott Kastan and Stephen Farthing, with discussion leader David Senecal.
"Kastan and Farthing, a scholar and a painter, respectively, investigate color from numerous perspectives: literary, historical, cultural, anthropological, philosophical, art historical, political, and scientific. In ten lively and wide-ranging chapters, each devoted to a different color, they examine the various ways colors have shaped and continue to shape our social and moral imaginations. Each individual color becomes the focal point for a consideration of one of the extraordinary ways in which color appears and matters in our lives." -Amazon.com
January 16 The Lives of the Surrealists by Desmond Morris, with discussion leader Karla Niehus.
"Unlike the Impressionists or the Cubists, the surrealists did not obey a fixed visual code, but rather the rules of surrealist philosophy: work from the unconscious, letting your darkest, most irrational thoughts well up and shape your art. An artist himself, and contemporary of the later surrealists, Morris illuminates the considerable variation in each artist s approach to this technique. While some were out-and-out surrealists in all they did, others lived more orthodox lives and only became surrealists at the easel or in the studio. " -Amazon.com
February 20 Whitewalling: Art, Race and Protest in Three Acts by Aruna D'Souza, with discussion leader Jo Ann Mundy.
"Whitewalling: Art, Race & Protest in 3 Acts reflects on these three incidents in the long and troubled history of art and race in America. It lays bare how the art world no less than the country at large has persistently struggled with the politics of race, and the ways this struggle has influenced how museums, curators and artists wrestle with notions of free speech and the specter of censorship. Whitewalling takes a critical and intimate look at these three acts in the history of the American art scene and asks: when we speak of artistic freedom and the freedom of speech, who, exactly, is free to speak?" -Amazon.com
March 20 The Hate U Give by Angie Thomas, Kalamazoo Reading Together with discussion leader Harvey Myers.
"Sixteen-year-old Starr Carter moves between two worlds: the poor neighborhood where she lives and the fancy suburban prep school she attends. The uneasy balance between these worlds is shattered when Starr witnesses the fatal shooting of her childhood best friend Khalil at the hands of a police officer. Khalil was unarmed.
Soon afterward, his death is a national headline. Some are calling him a thug, maybe even a drug dealer and a gangbanger. Protesters are taking to the streets in Khalil s name. Some cops and the local drug lord try to intimidate Starr and her family. What everyone wants to know is: what really went down that night? And the only person alive who can answer that is Starr.
But what Starr does "or does not "say could upend her community. It could also endanger her life." -Amazon.com
April 10 The Lost Sketchbook of Edgar Degas by Harriet Scott Chessman, with discussion leader Marsha Meyer.*Please note this is the 2nd Wednesday of the month.
"Ten years after Edgar Degas' 1872 visit to New Orleans, a lost sketchbook surfaces. His Creole cousin Tell -- who lost her sight as a young woman -- listens as her former child-servant describes the drawings and reads Degas' enigmatic words. It's both cryptic and revelatory, leading Tell to new understandings of her marriage, her difficult, brilliant cousin Edgar, her daughter Josephine, and herself." -Amazon.com
May 15 Dark Side of the Boom: the Excesses of the Art Market in the Twenty-first Century by Georgina Adam, with discussion leader Kendra Eberts.
"This book scrutinizes the excesses and extravagances that the 21st-century explosion of the contemporary art market brought in its wake. The buying of art as an investment, temptations to forgery and fraud, tax evasion, money laundering and pressure to produce more and more art all form part of this story, as do the upheavals in auction houses and the impact of the enhanced use of financial instruments on art transactions. Drawing on a series of tenaciously wrought interviews with artists, collectors, lawyers, bankers and convicted artist forgers, the author charts the voracious commodification of artists and art objects, and art's position in the clandestine puzzle of the highest echelons of global capital."