Current Exhibitions at the KIA

nasher big daddy trimmed

Colour Correction: British and American Screenprints, 1967-75

November 27 - March 27, 2016

In the 1960s, artists in England and the U.S. - from Josef Albers to Andy Warhol - rediscovered the screenprint at a time of social, political, and artistic upheaval. Revived after its invention in the early 20th century as a low-cost way to create colorful, graphic prints, silkscreening was seemingly the perfect medium to illustrate this time of sweeping change. More than 80 innovative, dramatic, and vibrant works by 32 artists will fill our two largest galleries with color, shape, and ideas.

This exhibition was organized by Marshall N. Price, Ph.D., Nancy Hanks Curator of Modern and Contemporary Art at the Nasher Museum of Art at Duke University.

Image: May Stevens, Big Daddy Paper Doll, 1971, screenprint on paper. Copyright May Stevens. Courtesy of the artist and Ryan Lee, New York, NY. Photo by Peter Paul Goffrion.

15 KNASFR Andress cycle

Kirk Newman Art School Faculty Review

September 19 - November 29, 2015

More than 70 professional artists share teaching responsibilities at the Kirk Newman Art School, leading more than 250 art classes each year. This biennial exhibition highlights the creative talents of roughly 45 of them, revealing the artistic gifts they share with our students and institution. The Faculty Review is a visual sampler of the diverse range of media and courses available at the KIA.


Manierre Dawson: Engineering Abstraction

August 29 - December 13

Manierre Dawson is a fascinating American artist just beginning to be recognized for his important contributions to the development of abstract painting in America. Raised in Chicago, Dawson spent his later years here in Michigan. Though he had been an engineering student, art was his true passion. Organized by the Muskegon Museum of Art, this exhibition is both timely and significant, enhanced by Dawson s connection to Michigan and the presence of important examples of his work in both public and private collections in the region.

Flowers in Chinese Art

Flowers in Chinese Art

June 27 - December 9

Flowers in China are revered and play a major role in Chinese life. A floral motif in Chinese art is not only a colorful and pleasing design, but also a medium by which a mood, a season, a sentiment, or a desire is conveyed. Symbolic meaning trumps realism as nature yields to artists' desire to communicate a particular message through long-understood symbolism and allegory. Rich in color, fragrance, and symbolism, flowers became part not only Chinese visual art but also myths, folklore, and popular verse and prose. Flowers in Chinese art symbolize everything from celebration days, every month and season, stoic and virtuous characteristics and morals, and even death. This exhibition features Chinese paintings and ceramics from the collection of the Kalamazoo Institute of Arts and on loan from the collection of Joy and Timothy Light.

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