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DTSTART;TZID=America/Detroit:20260311T120000
DTEND;TZID=America/Detroit:20260311T130000
DTSTAMP:20251219T145949Z
CREATED:20251219T134928Z
LAST-MODIFIED:20251219T145949Z
UID:10001231-1773230400-1773234000@www.kiarts.org
SUMMARY:ArtBreak: Pysanky Eggs: A Traditional Eastern European Folk Art
DESCRIPTION:Join Jozefa Rogocki for an artist’s talk and demonstration of the intricate art of pysanky eggs\, a traditional folk art practiced in various regions of Poland\, Ukraine\, and other Slavic countries. During this ArtBreak\, Rogocki will share her process for decorating these colorful eggs by applying a wax-and-dye batik process. She will demonstrate tools and techniques; discuss the history\, myths\, and traditional symbols engaged by this unique art form; and share a variety of designs that include contemporary interpretations of archetypal symbols. \nJozefa Rogocki is an artist from the UK with Polish heritage and has lived in the US for 25 years. She recently received an Arts Midwest Culture Bearers Award for her extensive work continuing and sharing the traditional folk art of pysanky eggs. She regularly teaches classes and attends local art fairs and festivals demonstrating this beautiful art form to audiences of all ages.
URL:https://www.kiarts.org/event/artbreak-pysanky-eggs-a-traditional-eastern-european-folk-art/
LOCATION:Kalamazoo Institute of Arts\, 314 S Park St\, Kalamazoo\, MI\, 49008\, United States
CATEGORIES:ArtBreak
ATTACH;FMTTYPE=image/webp:https://www.kiarts.org/wp-content/uploads/2025/12/Jozefa-Rogocki.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20260325T120000
DTEND;TZID=America/Detroit:20260325T130000
DTSTAMP:20251219T140502Z
CREATED:20251219T140502Z
LAST-MODIFIED:20251219T140502Z
UID:10001238-1774440000-1774443600@www.kiarts.org
SUMMARY:ArtBreak: The Art and Life of Hughie Lee-Smith
DESCRIPTION:Hughie Lee-Smith was a 20th century African American painter and art instructor. Growing up in the Midwest\, he created a prolific collection of paintings that predominantly featured figures in urban and rural settings. Lee-Smith’s often enigmatic works explored themes of isolation\, expectation\, and loneliness. Regrettably\, he was not as well recognized as many of his contemporaries. During this ArtBreak talk\, learn more about this remarkable artist with KIA docent Dr. Sam Grossman\, then visit our lower level galleries to view Lee-Smith’s The Spectators. \nDr. Sam Grossman is a long-time docent of the KIA. He also is a frequent instructor with the Osher Lifelong Learning Institute\, teaching a variety of topics. Sam is a retired pediatrician; prior to medical school\, he was an associate professor of theatre arts.
URL:https://www.kiarts.org/event/artbreak-the-art-and-life-of-hughie-lee-smith/
LOCATION:Kalamazoo Institute of Arts\, 314 S Park St\, Kalamazoo\, MI\, 49008\, United States
CATEGORIES:ArtBreak
ATTACH;FMTTYPE=image/webp:https://www.kiarts.org/wp-content/uploads/2025/12/Hughie-Lee-Smith.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20260408T120000
DTEND;TZID=America/Detroit:20260408T130000
DTSTAMP:20260422T202804Z
CREATED:20251219T141326Z
LAST-MODIFIED:20260422T202804Z
UID:10001242-1775649600-1775653200@www.kiarts.org
SUMMARY:ArtBreak: Virtual Artist's Talk with Nick La Marca
DESCRIPTION:During this virtual ArtBreak\, learn more about Nick La Marca\, the multimedia artist whose Sole Lines installation is on view in the KIA lobby. La Marca is an artist and documentarian working across photography and installation. Born and raised in the Bronx\, his practice is deeply informed by the city’s cultural vibrancy and diversity. La Marca’s work engages art and design as forms of social practice\, using creativity as a bridge between personal narrative\, community histories\, and broader societal issues. At the core of his projects is a commitment to recognition and research–illuminating local or “micro” concerns and situating them within larger cultural or economic frameworks. His installations and photographic works often serve as platforms for dialogue\, highlighting how lived experiences intersect with questions of value\, identity\, and community. Through this approach\, La Marca positions art as both a document and an agent of change\, underscoring its ability to connect creativity with social responsibility.
URL:https://www.kiarts.org/event/artbreak-virtual-artists-talk-with-nick-la-marca/
LOCATION:Kalamazoo Institute of Arts\, 314 S Park St\, Kalamazoo\, MI\, 49008\, United States
CATEGORIES:ArtBreak,Future Now
ATTACH;FMTTYPE=image/webp:https://www.kiarts.org/wp-content/uploads/2025/12/Nick-La-Marca.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20260422T120000
DTEND;TZID=America/Detroit:20260422T130000
DTSTAMP:20251219T185845Z
CREATED:20251219T142331Z
LAST-MODIFIED:20251219T185845Z
UID:10001247-1776859200-1776862800@www.kiarts.org
SUMMARY:ArtBreak: Steps through Time: A Retrospective of Shoes
DESCRIPTION:As we celebrate the future of shoes\, it can be fascinating to look back to see where we have already been. During this ArtBreak talk\, fashion historian and professor Iris Carney Cooper will offer an overview of notable and special shoe designs throughout time\, discussing history\, significance\, function\, and design. \nCooper is a fashion historian\, currently teaching at Western Michigan University and managing the Historic Garment Collection. She received her BA in Fashion Design and Merchandising from Dominican University in River Forest\, IL\, and her Graduate Certificate in History from WMU.
URL:https://www.kiarts.org/event/artbreak-steps-through-time-a-retrospective-of-shoes/
LOCATION:Kalamazoo Institute of Arts\, 314 S Park St\, Kalamazoo\, MI\, 49008\, United States
CATEGORIES:ArtBreak,Future Now
ATTACH;FMTTYPE=image/webp:https://www.kiarts.org/wp-content/uploads/2025/12/Iris-Carney-Cooper.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20260527T120000
DTEND;TZID=America/Detroit:20260527T130000
DTSTAMP:20260526T185535Z
CREATED:20260317T143633Z
LAST-MODIFIED:20260526T185535Z
UID:10001270-1779883200-1779886800@www.kiarts.org
SUMMARY:ArtBreak: Curating At The End Of The World: An Apocalyptic Manifesto
DESCRIPTION:What does it mean to curate as we live through apocalyptic times? Join our 2026 West Michigan Area Show juror\, Dr. Xuxa Rodríguez\, as she shares about her curatorial practice and explores what making exhibitions and writing about art means as the stakes of our collective global livelihoods grow higher. Dr. Rodríguez will offer reflections and proposals for working and living through difficult times to find meaning and hope even in the darkest of days.\nXuxa Rodríguez\, Ph.D.\, is a curator\, scholar\, and writer\, originally from Miami\, FL. Her expertise ranges across modern and contemporary Latinx and Latin American Art\, African diasporic art\, feminist and queer art\, transnational artists\, and time-based media\, with strengths in performance and video. Now based in Durham\, NC\, she is the Patsy R. and Raymond D. Nasher Curator of Contemporary Art at the Nasher Museum of Art at Duke University. \nOur ArtBreak program will be on hiatus in June and July. Join us in August when ArtBreaks resume!
URL:https://www.kiarts.org/event/artbreak-curating-at-the-end-of-the-world-an-apocalyptic-manifesto/
LOCATION:Kalamazoo Institute of Arts\, 314 S Park St\, Kalamazoo\, MI\, 49008\, United States
CATEGORIES:ArtBreak
ATTACH;FMTTYPE=image/jpeg:https://www.kiarts.org/wp-content/uploads/2026/03/ArtBreak-Curating.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20260826T120000
DTEND;TZID=America/Detroit:20260826T130000
DTSTAMP:20260814T171431Z
CREATED:20260625T144254Z
LAST-MODIFIED:20260814T171431Z
UID:10001332-1787745600-1787749200@www.kiarts.org
SUMMARY:ArtBreak: Reclaiming Native Narratives in American Art
DESCRIPTION:During the 19th century\, many American artists embraced the theme of the “Vanishing Indian.” By depicting Native Americans as disappearing\, such artists spread the idea that the extinction of Native groups was unavoidable. At stake was an accurate accounting of Indigenous peoples’ experiences in the United States. In this talk\, Dr. Laura E. Smith will reveal the hidden narratives of Indigenous erasure prevalent in American art of the 19th and early 20th centuries. She will also respond to works by contemporary Native artists. \nLaura E. Smith is a professor of art history in the Department of Art\, Art History and Design at Michigan State University\, where she teaches course in the arts of the Americas\, Indigenous arts\, and photography. She is the author of Horace Poolaw\, Photographer of American Indian Modernity (University of Nebraska Press\, 2016). \n\nEdward S. Curtis\, The Vanishing Race\, Navaho 1904\, 1904\, orotone. Collection of the Kalamazoo Institute of Arts; Gift of Jon Stryker and Robert Schram\, 1999.46. Artwork is currently on view in our For the People exhibition. The “vanishing race” concept\, crystallized in Curtis’s photograph\, helped to justify perceptions of white racial supremacy and Native inferiority and helplessness. Recent research on Curtis has focused on how his photographs and publications\, and especially The Vanishing Race\, have continued to perpetuate inaccurate and condescending stereotypes about Native Americans in the time since they were produced.
URL:https://www.kiarts.org/event/artbreak-reclaiming-native-narratives-in-american-art/
LOCATION:Kalamazoo Institute of Arts\, 314 S Park St\, Kalamazoo\, MI\, 49008\, United States
CATEGORIES:ArtBreak
ATTACH;FMTTYPE=image/jpeg:https://www.kiarts.org/wp-content/uploads/2026/06/ArtBreak-Reclaiming-Native-Narratives.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20260902T120000
DTEND;TZID=America/Detroit:20260902T130000
DTSTAMP:20260814T161449Z
CREATED:20260625T142443Z
LAST-MODIFIED:20260814T161449Z
UID:10001327-1788350400-1788354000@www.kiarts.org
SUMMARY:ArtBreak: Virtual Artist’s Talk with Dulce Pinzón
DESCRIPTION:During this virtual ArtBreak\, learn more about Dulce Pinzón\, whose archival pigment print Catwoman is included in the exhibition For the People\, By the People. A visual artist\, curator\, manager\, cultural entrepreneur\, and activist\, Pinzón is particularly interested in exploring cultural\, environmental\, and gender issues through her personal\, curatorial\, and museographic projects. Her rich educational background includes studies in communication sciences\, photography\, film\, labor law\, museum curation\, and art management. \nIn her photography\, Pinzón seeks not to capture reality as it is\, but rather to “invent” a new reality\, frequently referencing both high and popular culture. Her work has been exhibited\, published\, and collected internationally\, and she has received multiple prestigious awards and nominations. Pinzón is also the founder of Plataforma ArtBase\, a laboratory space for artists in Puebla\, Mexico. \n\nDulce Pinzón\, Catwoman: Minerva Valencia from Puebla\, Mexico. She works as a nanny in New York\, and sends home 400 dollars a week.\, 2005-2010\, archival pigment print. Collection of the Kalamazoo Institute of Arts; Elisabeth Claire Lahti Fund\, 2018.1 \n  \n\nDulce Pinzón’s Catwoman on the gallery wall in the exhibition.
URL:https://www.kiarts.org/event/artbreak-virtual-artists-talk-with-dulce-pinzon/
LOCATION:Kalamazoo Institute of Arts\, 314 S Park St\, Kalamazoo\, MI\, 49008\, United States
CATEGORIES:ArtBreak
ATTACH;FMTTYPE=image/jpeg:https://www.kiarts.org/wp-content/uploads/2026/06/ArtBreak-Virtual-Artists-Talk-with-Dulce-Pinzon.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20260909T120000
DTEND;TZID=America/Detroit:20260909T130000
DTSTAMP:20260814T171622Z
CREATED:20260625T150737Z
LAST-MODIFIED:20260814T171622Z
UID:10001338-1788955200-1788958800@www.kiarts.org
SUMMARY:ArtBreak: American Legacy: Lange’s Portrait of a Mother
DESCRIPTION:During this ArtBreak\, Prof. Ginger Owen-Murakami will discuss one of the most influential documentary photographs ever created. Produced by Dorothea Lange during the Great Depression as part of Roy Stryker’s Farm Security Administration (FSA) photography project\, Migrant Mother remains in the public domain of the United States Library of Congress. As one of the most widely reproduced images in American history\, this photograph endures as a profound symbol of hardship\, resilience\, and collective memory\, embodying the struggles and perseverance that shaped the American experience. \nGinger Owen-Murakami is a Professor of Photography at Western Michigan University’s Gwen Frostic School of Art. She teaches a variety of classes in Fine Art Studies (History\, Professional Practices\, Traditional Darkroom\, Digital & Alternative Processes). Owen-Murakami’s artwork derives imagery from narratives and themes of family history\, race\, gender\, and culture. She has lectured\, worked\, and exhibited internationally. \n\nDorothea Lange\, Migrant Mother\, Nipomo\, California\, 1936\, gelatin silver print. Collection of the Kalamazoo Institute of Arts; Gift of the Kalamazoo Photo Guild\, 1966/7.85
URL:https://www.kiarts.org/event/artbreak-american-legacy-langes-portrait-of-a-mother/
LOCATION:Kalamazoo Institute of Arts\, 314 S Park St\, Kalamazoo\, MI\, 49008\, United States
CATEGORIES:ArtBreak
ATTACH;FMTTYPE=image/jpeg:https://www.kiarts.org/wp-content/uploads/2026/06/ArtBreak-American-Legacy.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20260923T120000
DTEND;TZID=America/Detroit:20260923T130000
DTSTAMP:20260625T193504Z
CREATED:20260625T152929Z
LAST-MODIFIED:20260625T193504Z
UID:10001343-1790164800-1790168400@www.kiarts.org
SUMMARY:ArtBreak: "Kalamazoo...and how it grew!": A Model American City Tours Europe at Mid-Century
DESCRIPTION:In the late 1950s\, Upjohn Pharmaceuticals partnered with the United States Information Agency to develop an exhibition on Kalamazoo that toured several major European cities. “Kalamazoo…and how it grew!” was designed by Will Burtin in conjunction with Jack Masey of the United States Information Agency\, with the bill for the exhibition footed by Upjohn Pharmaceuticals. In this talk\, we will trace the exhibition’s development and scope\, as well as discuss how the exhibition fit into the USIA’s broader goals of deploying design in the promotion of democracy abroad. \nChristine Young-Kyung Hahn is a lifelong Midwesterner\, born in Detroit\, raised in Lansing\, and a professor of art history at Kalamazoo College since 2008. She is a graduate of Carleton College in Northfield\, MN\, and received her M.A. and Ph.D. at the University of Chicago. While rooted in the Midwest\, her research questions have taken her around the world\, digging through archives in Paris\, New York\, and Seoul. To support these endeavors\, Dr. Hahn has worked on exhibitions for the Art Institute of Chicago\, for the books division at the University of Chicago Press\, and for higher education development at the University of Michigan Law School. Her work on modern Korean artists and exhibitions has been supported by the Fulbright and the National Endowment for the Humanities.
URL:https://www.kiarts.org/event/artbreak-kalamazoo-and-how-it-grew/
LOCATION:Kalamazoo Institute of Arts\, 314 S Park St\, Kalamazoo\, MI\, 49008\, United States
CATEGORIES:ArtBreak
ATTACH;FMTTYPE=image/jpeg:https://www.kiarts.org/wp-content/uploads/2026/06/ArtBreak-Kalamazoo-And-How-It-Grew.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20261014T120000
DTEND;TZID=America/Detroit:20261014T130000
DTSTAMP:20260625T155949Z
CREATED:20260625T155949Z
LAST-MODIFIED:20260625T155949Z
UID:10001351-1791979200-1791982800@www.kiarts.org
SUMMARY:ArtBreak: Remembering World War II in Japanese Voices
DESCRIPTION:Sociolinguist Noriko Sugimori has often worked with her students to collect oral histories from Japanese-speaking World War II survivors in Japan\, South Korea\, and the United States. Their testimonies reveal personal experiences that have often remained untold and show how the past continues to shape the present. Drawing on video excerpts from these interviews\, Dr. Sugimori will explore the stories\, silences\, and meanings preserved in wartime memory. \nDr. Sugimori is Professor of Japanese at Kalamazoo College. Her Mellon Foundation-funded Japanese-English oral history project was the first in using the bilingual Oral History Metadata Synchronizer. At Kalamazoo College\, she teaches the Japanese language at all levels\, as well as sociolinguistics.
URL:https://www.kiarts.org/event/artbreak-remembering-world-war-ii-in-japanese-voices/
LOCATION:Kalamazoo Institute of Arts\, 314 S Park St\, Kalamazoo\, MI\, 49008\, United States
CATEGORIES:ArtBreak
ATTACH;FMTTYPE=image/jpeg:https://www.kiarts.org/wp-content/uploads/2026/06/ArtBreak-Remembering-World-War-II.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20261028T120000
DTEND;TZID=America/Detroit:20261028T130000
DTSTAMP:20261009T194211Z
CREATED:20260625T160831Z
LAST-MODIFIED:20261009T194211Z
UID:10001355-1793188800-1793192400@www.kiarts.org
SUMMARY:ArtBreak: Film Screening: The Eye is the First Circle
DESCRIPTION:Helen Frankenthaler’s large-scale painting Code Blue has returned from New York\, where it was included in the Gagosian exhibition Helen Frankenthaler: The Moment and the Distance. Celebrate the return of this beloved part of the KIA’s permanent collection with a screening of The Eye is the First Circle. Inspired by Mary Gabriel’s bestseller Ninth Street Women\, this 2022 documentary centers the work of Frankenthaler and her female contemporaries — Grace Hartigan\, Elaine de Kooning\, Joan Mitchell\, and Lee Krasner — who broke new ground in the field of Abstract Expressionism despite the marginalization they faced in mid-20th century America. The Eye is the First Circle was created by Schler Productions in partnership with PBS12 (Denver)\, and has a run time of 56 minutes.
URL:https://www.kiarts.org/event/artbreak-film-screening-the-eye-is-the-first-circle/
LOCATION:Kalamazoo Institute of Arts\, 314 S Park St\, Kalamazoo\, MI\, 49008\, United States
CATEGORIES:ArtBreak,Films
ATTACH;FMTTYPE=image/jpeg:https://www.kiarts.org/wp-content/uploads/2026/06/ArtBreak-Film-Screening-Eye-Circle.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20261111T120000
DTEND;TZID=America/Detroit:20261111T130000
DTSTAMP:20260910T141310Z
CREATED:20260910T140709Z
LAST-MODIFIED:20260910T141310Z
UID:10001364-1794398400-1794402000@www.kiarts.org
SUMMARY:ArtBreak: Clothing Clues: Decoding Signals in Fashion
DESCRIPTION:During this ArtBreak\, Iris Carney Cooper will discuss concepts of art\, history\, and fashion that allow designers to manipulate the human form for storytelling purposes. How does clothing define a person? What elements are used in garment construction to tell a larger story? This glimpse into the craft will show how to spot clues in clothing by exploring fashion trends\, symbolism\, and societal expectations. \nIris Carney Cooper is a fashion historian\, currently teaching at Western Michigan University and managing the Historic Garment Collection. She received her BA in Fashion Design and Merchandising from Dominican University in River Forest\, IL\, and her Graduate Certificate in History from WMU. \nStatement Pieces is organized in conjunction with Barrett Barrera Projects. Made possible by generous support from Diane & Randy Eberts and Heritage Community of Kalamazoo.
URL:https://www.kiarts.org/event/artbreak-clothing-clues-decoding-signals-in-fashion/
LOCATION:Kalamazoo Institute of Arts\, 314 S Park St\, Kalamazoo\, MI\, 49008\, United States
CATEGORIES:ArtBreak
ATTACH;FMTTYPE=image/jpeg:https://www.kiarts.org/wp-content/uploads/2026/09/ArtBreak-Clothing-Clues-Decoding-Signals.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Detroit:20261209T120000
DTEND;TZID=America/Detroit:20261209T130000
DTSTAMP:20260910T173858Z
CREATED:20260910T170310Z
LAST-MODIFIED:20260910T173858Z
UID:10001372-1796817600-1796821200@www.kiarts.org
SUMMARY:Offsite ArtBreak: Exploring Costume Design at the Kalamazoo Civic Theatre
DESCRIPTION:Venture offsite with us as we visit our neighbors at the Kalamazoo Civic Theatre! While the Statement Pieces exhibition encourages us to consider the relationship between fashion and self-expression\, this program will explore the ways in which clothing is used to establish vital aspects of dramatic characters onstage. Resident Costume Designer Elaine Kauffman will offer a behind-the-scenes look into the process of creating costumes for the stage\, as well as a glimpse into her work as an independent fashion designer. Check back soon for more information on meeting location and parking! \nPlease note that our ArtBreak program will be on a brief hiatus for the month of January\, resuming in February. \nStatement Pieces is organized in conjunction with Barrett Barrera Projects. Made possible by generous support from Diane & Randy Eberts and Heritage Community of Kalamazoo.
URL:https://www.kiarts.org/event/offsite-artbreak-exploring-costume-design-at-the-kalamazoo-civic-theatre/
LOCATION:Kalamazoo Civic Theatre\, 329 S Park St\, Kalamazoo\, 49007\, United States
CATEGORIES:ArtBreak
ATTACH;FMTTYPE=image/jpeg:https://www.kiarts.org/wp-content/uploads/2026/09/Offsite-ArtBreak-Exploring-Costume.jpg
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