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UID:10001327-1788350400-1788354000@www.kiarts.org
SUMMARY:ArtBreak: Virtual Artist’s Talk with Dulce Pinzón
DESCRIPTION:During this virtual ArtBreak\, learn more about Dulce Pinzón\, whose archival pigment print Catwoman is included in the exhibition For the People\, By the People. A visual artist\, curator\, manager\, cultural entrepreneur\, and activist\, Pinzón is particularly interested in exploring cultural\, environmental\, and gender issues through her personal\, curatorial\, and museographic projects. Her rich educational background includes studies in communication sciences\, photography\, film\, labor law\, museum curation\, and art management. \nIn her photography\, Pinzón seeks not to capture reality as it is\, but rather to “invent” a new reality\, frequently referencing both high and popular culture. Her work has been exhibited\, published\, and collected internationally\, and she has received multiple prestigious awards and nominations. Pinzón is also the founder of Plataforma ArtBase\, a laboratory space for artists in Puebla\, Mexico. \n\nDulce Pinzón\, Catwoman: Minerva Valencia from Puebla\, Mexico. She works as a nanny in New York\, and sends home 400 dollars a week.\, 2005-2010\, archival pigment print. Collection of the Kalamazoo Institute of Arts; Elisabeth Claire Lahti Fund\, 2018.1 \n  \n\nDulce Pinzón’s Catwoman on the gallery wall in the exhibition.
URL:https://www.kiarts.org/event/artbreak-virtual-artists-talk-with-dulce-pinzon/
LOCATION:Kalamazoo Institute of Arts\, 314 S Park St\, Kalamazoo\, MI\, 49008\, United States
CATEGORIES:ArtBreak
ATTACH;FMTTYPE=image/jpeg:https://www.kiarts.org/wp-content/uploads/2026/06/ArtBreak-Virtual-Artists-Talk-with-Dulce-Pinzon.jpg
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DTSTART;TZID=America/Detroit:20260909T120000
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DTSTAMP:20260814T171622Z
CREATED:20260625T150737Z
LAST-MODIFIED:20260814T171622Z
UID:10001338-1788955200-1788958800@www.kiarts.org
SUMMARY:ArtBreak: American Legacy: Lange’s Portrait of a Mother
DESCRIPTION:During this ArtBreak\, Prof. Ginger Owen-Murakami will discuss one of the most influential documentary photographs ever created. Produced by Dorothea Lange during the Great Depression as part of Roy Stryker’s Farm Security Administration (FSA) photography project\, Migrant Mother remains in the public domain of the United States Library of Congress. As one of the most widely reproduced images in American history\, this photograph endures as a profound symbol of hardship\, resilience\, and collective memory\, embodying the struggles and perseverance that shaped the American experience. \nGinger Owen-Murakami is a Professor of Photography at Western Michigan University’s Gwen Frostic School of Art. She teaches a variety of classes in Fine Art Studies (History\, Professional Practices\, Traditional Darkroom\, Digital & Alternative Processes). Owen-Murakami’s artwork derives imagery from narratives and themes of family history\, race\, gender\, and culture. She has lectured\, worked\, and exhibited internationally. \n\nDorothea Lange\, Migrant Mother\, Nipomo\, California\, 1936\, gelatin silver print. Collection of the Kalamazoo Institute of Arts; Gift of the Kalamazoo Photo Guild\, 1966/7.85
URL:https://www.kiarts.org/event/artbreak-american-legacy-langes-portrait-of-a-mother/
LOCATION:Kalamazoo Institute of Arts\, 314 S Park St\, Kalamazoo\, MI\, 49008\, United States
CATEGORIES:ArtBreak
ATTACH;FMTTYPE=image/jpeg:https://www.kiarts.org/wp-content/uploads/2026/06/ArtBreak-American-Legacy.jpg
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DTSTART;TZID=America/Detroit:20260923T120000
DTEND;TZID=America/Detroit:20260923T130000
DTSTAMP:20260625T193504Z
CREATED:20260625T152929Z
LAST-MODIFIED:20260625T193504Z
UID:10001343-1790164800-1790168400@www.kiarts.org
SUMMARY:ArtBreak: "Kalamazoo...and how it grew!": A Model American City Tours Europe at Mid-Century
DESCRIPTION:In the late 1950s\, Upjohn Pharmaceuticals partnered with the United States Information Agency to develop an exhibition on Kalamazoo that toured several major European cities. “Kalamazoo…and how it grew!” was designed by Will Burtin in conjunction with Jack Masey of the United States Information Agency\, with the bill for the exhibition footed by Upjohn Pharmaceuticals. In this talk\, we will trace the exhibition’s development and scope\, as well as discuss how the exhibition fit into the USIA’s broader goals of deploying design in the promotion of democracy abroad. \nChristine Young-Kyung Hahn is a lifelong Midwesterner\, born in Detroit\, raised in Lansing\, and a professor of art history at Kalamazoo College since 2008. She is a graduate of Carleton College in Northfield\, MN\, and received her M.A. and Ph.D. at the University of Chicago. While rooted in the Midwest\, her research questions have taken her around the world\, digging through archives in Paris\, New York\, and Seoul. To support these endeavors\, Dr. Hahn has worked on exhibitions for the Art Institute of Chicago\, for the books division at the University of Chicago Press\, and for higher education development at the University of Michigan Law School. Her work on modern Korean artists and exhibitions has been supported by the Fulbright and the National Endowment for the Humanities.
URL:https://www.kiarts.org/event/artbreak-kalamazoo-and-how-it-grew/
LOCATION:Kalamazoo Institute of Arts\, 314 S Park St\, Kalamazoo\, MI\, 49008\, United States
CATEGORIES:ArtBreak
ATTACH;FMTTYPE=image/jpeg:https://www.kiarts.org/wp-content/uploads/2026/06/ArtBreak-Kalamazoo-And-How-It-Grew.jpg
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