Modern and Contemporary American Art (1900 to present)
Milton Avery
Fancy Hat, 1950
oil on board
Purchase: Acquired through the generosity of an anonymous donor, 2010.60
Colleen Browning
Tourist, 2002
oil on canvas
Gift of the Geoffrey Wagner Estate, 2010.47
Deborah Butterfield
Hoku (Untitled.2411), 2001
bronze
Purchase: Acquired through the generosity of an anonymous donor, 2011.51
Alexander Calder
The D and the Delta, 1962
painted iron
Director's Fund Purchase, 1968/9.30
Dale Chihuly
Kalamazoo Ruby Light Chandelier, 1998
blown glass, wire, armature
Gift of Christopher and Margo Light, 1998.8
Richard Diebenkorn
Sleeping Woman, 1961
oil on canvas
Director's Fund Purchase, 1968/9.86
Jim Dine
Self-Portrait with Oil Paint, 1978
lithograph, etching, soft-ground etching, and drypoint with hand-coloring in oil
Permanent Collection Fund Purchase, 2009.98
Helen Frankenthaler
Code Blue, 1980
acrylic on canvas
Purchase, National Endowment for the Arts Matching Museum Purchase Grant and donation from anonymous donor, 1979/80.82
Helen Frankenthaler uses her immense canvas of color washes to evoke a mood or emotion in the viewer. Creating on the floor of her studio with large brushes, mops, brooms and buckets, Frankenthaler's approach challenges traditional painting techniques with her thin washes of paint juxtaposed with clumps of pigment. Frankenthaler uses unprimed canvas, which is cloth that has not been coated with a layer of gesso or glue to make the canvas water resistant. Unprimed canvas allows the layers of paint to soak into the picture surface. The bluish-green stains thus created provide a murky depth that absorbs and contains us.
Chris Gustin
Tea Bowl, 2009
stoneware
Permanent Collection Fund Purchase, 2009.116
Robert Gwathmey
Peace, 1967
oil on canvas
Purchase: Acquired through the generosity of an anonymous donor, 2010.61
Philip Leslie Hale
Art Students, 1913
oil on canvas on panel
Gift of Elizabeth Upjohn Mason and Lowell B. Mason, Jr., 2008.4
Franz Kline
Red Crayon, 1959
oil and crayon on canvas
Director's Fund Purchase, 1968/9.93
Franz Kline began experimenting with abstraction after observing the strong black lines of one of his realistic sketches magnified and projected on a wall. He is best known for his large black and white abstractions from the late 1940s and early 1950s, which feature aggressive black slashes juxtaposed with dynamic areas of white paint.
After a decade of working primarily with black and white paint, Kline began to re-introduce color to his paintings in the late 1950s. "Red Crayon" is an excellent example of that transition. Kline's courageous exploration of color qualities, from a bright, acidic yellow to a deep, mellow purple, creates a sense of excitement and encourages the viewer to react in different ways to various parts of the painting. Kline's final touch, a few scribbles with a red crayon, is a whimsical, unique detail that gives the painting its name and distinguishes it within his body of work.
Jacob Lawrence
Legend of John Brown #11: John Brown took to guerrilla warfare., 1978
from the Legend of John Brown Portfolio
screenprint on wove paper
Gift of an anonymous donor, 2008.15.11
Hughie Lee-Smith
The Spectators, ca.1957
oil on masonite
Gift of Ronda Stryker, William Johnston, and Michael, Megan, and Annie Johnston, 2002.7
Roy Lichtenstein
Sunrise, 1965
color offset lithograph
Bequest of Charlotte Collins from the Charles and Charlotte Collins Collection, 2009.41
Paul Manship
Playfulness, 1912
bronze with brown patina
Gift of an anonymous donor, 2008.8
Jill Moser
Acrobat, 2009
screenprint
Gift of Thomas W. Lollar, 2009.108
Our typical first step toward making sense of a work of art-identifying an object or scene-can be unproductive when viewing abstract art. So how does one enter into a dialog with a work that is a tangle of calligraphic lines and faded erasures suspended in emptiness? (more)
Louise Nevelson
Double Cubist Face, 1937
colored pencil
Permanent Collection Fund Purchase, 2009.81
Richard Pousette-Dart
By the Sea, 1958
oil on canvas
Gift of Pfizer Inc, 2008.19
Ed Ruscha
1984, 1967
lithograph
Bequest of Charlotte Collins from the Charles and Charlotte Collins Collection, 2009.57
Victor Schreckengost
Egyptian Blue Jazz Bowl with Flared Rim, 1931
glazed earthenware with engobe, sgraffito design
Purchase made possible by Ronda Stryker and William Johnston, 2007.38
Peter Voulkos
Yellow Stone Saga, 1985-88
anagama woodfired stoneware
Gift of Richard and Ethel Groos, 1998.1
Andy Warhol
Gerald Ford, 1975
synthetic polymer and silkscreen inks on canvas
Elisabeth Claire Lahti Fund Purchase, 2003.1
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